[W466.Ebook] PDF Download While You Were Out, by Judith Irvin Kuns

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While You Were Out, by Judith Irvin Kuns

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Penelope wishes she were starting fifth grade with her best friend, Tim, who recently died of cancer. When everyone pairs off with friends from last year, Penelope is alone, with only her dad, the new janitor, to keep her company. Dad means well, but he keeps embarrassing her by acting more like a kid than a janitor. To ease her loneliness at school, Penelope begins writing secretly to Tim on "While You Were Out" notes. But when her messages mysteriously begin to be answered, Penelope realizes she’s not alone in missing Tim.

• Sales Rank: #5627552 in Books
• Published on: 2006-07-06
• Released on: 2006-07-06
• Original language: English
• Number of items: 1
• Dimensions: 7.74" h x .39" w x 5.08" l,
• Binding: Paperback
• 144 pages

Features

• ISBN13: 9780142406281
• Condition: Used - Very Good
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From School Library Journal
Grade 4-6–"Today I started school with my dad instead of my best friend." Penelope Grant, fifth grader in a town so small that the local school has only three classrooms, has recently lost her best friend, Tim, to cancer, and her artistic, restless father is the new janitor. The title refers to those ubiquitous pink message slips, here used by the girl to send notes to Tim. This sweet and accessible story carries the protagonist through the difficult first few days of the school year. It shows her beginning to accept loss and change, and also beginning to see beyond her own narrow perspective. In short, it's a prepubescent coming-of-age novel with some comedy lightening the sorrow. Told in the first person, the story also emphasizes poetry in many ways: Penelope has been to Poetry Therapy (her mother wants her to learn to express her feelings), and she often sees the world as a series of metaphors (her father's "office" at school is compared to a kingdom, with a scepter, a throne, and a drawbridge). While this first novel is not without a few flaws (the father's behavior when he joins the children playing marbles or jumping rope can seem implausible), it is a touching story with an appealing main character and an underlying authenticity.–Lauralyn Persson, Wilmette Public Library, IL
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 4-6. It's been a rough year for fifth-grader Penelope. Her best friend, Tim, died of cancer during the summer, and her father has landed a job as custodian in her own school. Lonely and embarrassed, Penelope begins using pink "while you were out" messages to write notes to Tim in an effort to keep his memory close. There's just enough sense of Tim to make him feel like more than a plot device, but most of the story centers around Penelope working through the love and mortification she feels, and the bravery that comes with opening up to making new friends. This rambles at times, but Kuns has an evocative way with words, taking ordinary situations and painting nuance into them with his descriptions. Bits of humor lighten a story that tackles some sad issues. Ilene Cooper
Copyright � American Library Association. All rights reserved

About the Author
J. Irvin Kuns lives in Sandusky, Ohio.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Surviving 5th Grade
By A Customer
While You Were Out is a great book for kids to read, especially those who have ever lost someone close to them. Can you imagine starting 5th grade without your best friend?

Penelope's best friend dies over the summer because of a type of cancer. Then to make matters worse, Penelope's own dad will be working in her school as the school JANITOR! All of this, plus the fact that she doesn't get to see her mother very often because her mom works at night, starts Penelope off to a rough start in 5th grade. Can she survive 5th grade?

As I read this book, I felt Penelope's sadness and understood her anger. Whether you have ever had someone close to you die or move away, kids of all character will enjoy this book.

2 of 2 people found the following review helpful.
I feel like picking up a pad of while you were out notes now
By Michele Risner
I originally wanted to read this book because it was written by my dad's cousin. It's just 131 pages, and written for ages 8 and up, but as an adult I really enjoyed it.

It is the story of 5th grader Penelope and her best friend, Tim, who recently died. Penelope is struggling with grief and the loss of her best friend (and in her mind, only friend). The story is good and realistic. I felt her sadness and understood why she was so angry. I think anyone who has ever lost someone close to them would enjoy this book (and relate to it)

0 of 0 people found the following review helpful.
Five Stars
By Michael
Great book and easy read

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[X766.Ebook] Download Censorship in Soviet Literature, 1917-1991, by Herman Ermolaev

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Censorship in Soviet Literature, 1917-1991, by Herman Ermolaev

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In the first comprehensive picture of Soviet literary censorship, Herman Ermolaev highlights the aims of censorship and its evolution during shifts in Communist Party policy. He draws on a great variety of primary and secondary sources, including over 200 literary works; the Soviet government's decrees on censorship and publishing; books and articles on censorship; political and historical writings; and personal correspondences with writers, editors, and a former high-ranking Glavlit official.

• Sales Rank: #4335129 in Books
• Published on: 1996-12
• Released on: 1996-11-21
• Original language: English
• Number of items: 1
• Dimensions: 8.94" h x .76" w x 5.86" l, 1.00 pounds
• Binding: Paperback
• 323 pages

Review
This book is a pathbreaking attempt to trace the development and workings of Soviet literary censorship from 1917-1991. The style is witty and pungent, and the scholarship, solid and impressive. (John B. Dunlop, Stanford University)

Herman Ermolaev's new book is an excellent contribution to this [Soviet censorship] literature and will be of interest to scholars, students, and general readers. (Slavic Review)

A revealing and detailed historical overview . . . (CHOICE)

A systematic history of Soviet Russian literature is still waiting to be written. However, when it does appear, Herman Emolaev's study of Soviet (Russian) censorship will be a key companion to it. He has produced a detailed overview of this complex phenomenon, added to it a range of important examples, and documented it all very capably. The result is a readable and usable guide to a very nasty business. (Allan Reid The International Fiction Review)

About the Author
Herman Ermolaev is professor of Russian and Soviet literature at Princeton University. His previous books include Soviet Literary Theories, 1917-1934: The Genesis of Socialist Realism and an edited translation of Maxim Gorky's Untimely Thoughts: Essays on Revolution, Culture, and the Bolsheviks, 1917-1918.

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1 of 1 people found the following review helpful.
Indoctrination Through Sanitization
By Hamilton Beck
As the title indicates, "Censorship in Soviet Literature: 1917-1991" focuses on writers who lived and worked in the Soviet Union, not foreign authors whose works were translated and published there. Herman Ermolaev's study addresses specialists already familiar with the field, and deals mainly with novels, though the occasional play is touched on; Eisenstein's "Ivan the Terrible" is one of the few films mentioned. Though he discusses Babel, Sholokhov, and Solzhenitsyn, general readers should be warned that many of the writers examined here are not exactly household names in the West. While there is little on Pasternak, Nabokov, Vasilii Grossman, Akhmatova or Brodsky, the following authors and novels get extensive treatment: Fedor Panferov ("Bruski"), Alexander Fedeev ("The Rout"), Fedor Gladkov ("Cement"), Aleksei Chapygin ("Stepan Razin"), Vsevolod Ivanov ("Armored Train No. 14-69"), Nicolai Ostrovskii ("How the Steel was Tempered"), and Artem Veselyi ("Russia Washed in Blood").

Lenin regarded freedom of the press not as an abstract value but as a weapon in the arsenal of class warfare. So it comes as little surprise that censorship was present from the very beginning of the USSR, having been introduced as a "temporary measure" as early as 1917. After shutting down all the bourgeois papers, by the end of 1918 the communists went on to silence the non-Bolshevik socialist press as well, in spite of the efforts of the relatively liberal Lunacharsky. Libraries were another early target. Nadezhda Krupskaia, Lenin's wife, ordered older literature removed from them on the grounds of "obsolescence."

After this early period, who was given the drudge work of identifying specific passages to be expunged, and what was their daily schedule like? "At the grass-roots level," we are told (pg. 56), "many censors were poorly qualified or even negligent." Even so, they exercised an important function. Nor should it be assumed that they came in only at the end of the creative process; in fact, many of them combined the work of censor with that of editor.

How much discretion did they have? Not much, it seems. It is easy to imagine that there might have been a downside to letting something pass that was later found objectionable, and no upside to being permissive. Very likely this led to a mindset of, "When in doubt, delete."

The usual way their superiors evaluated their work was simply to count the number of cuts they ordered. At the same time, censors at all levels could not merely require the removal of offensive matter; on occasion, they also demanded the addition of positive elements: Fictional characters thus could have their names changed and their level of culture elevated – which extended even to the specific volumes on their bookshelves.

It would oversimplify things, however, to imagine that narrow-minded bureaucrats compelled authors to make changes that they heroically resisted. Take Panferov, the author of "Bruski," who seemed quite ready to jump on the anti-Bukharin bandwagon in 1937, the moment it became opportune to do so. He and others like him hurried to grovel before authority without any prompting. Indeed, some engaged in self-censorship so drastic they effectively defaced their own work.

On the whole, though, conformity was enforced from above. Practically the only escape was to appeal directly to Stalin, the top censor himself. This approach sometimes met with success, for example in the case of Sholokhov's "Virgin Soil Upturned." When given the choice of making changes or seeing publication cancelled (or at least postponed), the author refused to budge, even when Stalin personally asked him to. This resulted in a two-year delay. Ermolaev was able to correspond with the editor of Sholokhov's "The Quiet Don" (also translated as "Quiet Flows the Don"), who subjected this work to so many revisions that they "virtually spelled the end of 'The Quiet Don' as a historic and artistic work." (pg. 105) Comparatively speaking, Sholokhov was fortunate. Other authors who remained stubborn, such as Bulgakov, saw their works forbidden for decades.

Censors sometimes justified their rejection of a novel not so much on the grounds that it was false, as that "this is not the truth we need." The tsarist past of Odessa could not be presented in too attractive a light, so that a description of a pre-revolutionary wedding reception had to drop all references to plentiful food and drink. When it came to the confiscation of grain in 1918 and the uprisings that followed, it was decreed that the word "peasant" be replaced by "kulak." The entire topic of cannibalism among the starving peasants under Soviet rule was made taboo. "An important task of the censors was to Russify the Crimea, to erase evidence that it once belonged to the Greeks and Tartars." (pg. 112) In 1948, "Ukrainian aspirations for independence" were another reason for demanding changes to Panferov's "Bruski." (pg. 163)

Censorship was actually at its worst immediately after the end of the war, when the authorities were motivated by the need to counteract the returning forces' favorable impressions of life abroad. This was followed by a mild thaw a few years later, such that, for example, beginning in 1949 critical remarks about the Romanovs disappeared.

Stalin declared himself against the practice of disclosing authors' original Jewish names, which Ermolaev explains as part of his devious scheme to show the world that he was not really an anti-Semite. The treatment of Jews after Stalin's death he characterizes as "overt benevolence and covert animosity." (pg. 169) "The censorship of [Kuznetsov's] 'Babii Iar' gives us an idea of what an author was not supposed to say about Jews, Ukrainians, Russians, and Germans." (pg. 208) Ukrainian anti-Semitism was also toned down.

Stalin, who during his lifetime had always made a show of disdaining excessive sycophancy, became a target of repression himself after his death in 1953, as favorable references to him were removed under Khrushchev, only to be restored under Brezhnev and his successors. Whatever ideological principles the censors were guided by nominally, in the end they were most concerned to blow with the prevailing wind. Sometimes an editor who had insisted on puffing up Stalin's reputation during his lifetime was the very one who "degraded" him posthumously. (pg. 156)

For the post-war period, Ermolaev is able to draw on conversations and other personal communications involving not just authors but even a few retired guardians of the flame. One of them, Potapov, he terms "captious" and a super-purist who was determined to root out even the most harmless sexual allusions. On occasion, their work could be literally too successful, such that the names of some renegades were so thoroughly expunged that the censors themselves did not recognize them after a few years, thus permitting the "unpersons" to resurface, at least for a few editions. So if someone today should seek to prove a point by saying, "Just look at the literature of the period, which shows …," Ermolaev reminds us just how unstable texts published in the USSR could be.

In the Khrushchev period a few authors began to fight back against the bureaucrats. Solzhenitsyn's public protest in 1967, when he pointed out that the constitution contained no provision for censorship, marked a turning point. Amazingly, after calling the practice "the curse of our literature," he escaped any immediate punishment. (pg. 220) Still, in the eyes of the regime, this was enough to mark him as their most dangerous literary enemy.

Under Brezhnev, censorship became both more severe and less consistent, as the system began to wear down. Lenin himself could be expurgated if his views were judged "great but untimely." (pg. 184) Books and periodicals containing Solzhenitsyn's essays were not just withdrawn from libraries but shredded. One novel submitted for publication at this time described characters burning volumes in their possession that had been published in the czarist era, or were written by foreign authors; these fictional book-collectors even burned their copies of Maxim Gorky, once rumors surfaced that he had been poisoned by the Soviet authorities. Since the topic of censorship was itself off limits, all these passages were deleted. At the same time, hoping to avoid the creation of martyrs, the politburo ordered that prestigious mavericks like Andrey Sakharov be handled with care. And in the peripheral Soviet republics of Estonia and Armenia, authors were allowed greater leeway when it came to descriptions of sexuality than in Russia itself.

To impose some structure on his vast material, Ermolaev tries to separate "political" from "puritanical" censorship. This can prove problematic, as the dividing line is not always clear. He himself seems a bit unsure whether the removal of references to God, as in the expression "Oh God – what a life!" should be described as one or the other. In the case of Chapygin's "Stepan Razin," he concedes that the so-called puritanical cuts "have strong political coloration." (pg. 102) In any case, Soviet Puritanism meant the removal of such undesirable elements as "blat" – the jargon of professional thieves – and swearing. Since Russians are virtuosos when it comes to cursing, this led to the loss of some colorful dialogue. One writer's claim that "there was no style without swearing" was itself deleted.

It is worth bearing in mind that all these bowdlerized editions of course remain on Russian bookshelves – many readers (especially from the older generations) know no others, though naturally they could find unexpurgated ones now if they were so moved. Still, it should be kept in mind that though the old forms of state censorship have largely disappeared, the effect lives on.

In sum, the author has amassed some fascinating material and then given it conscientious if rather plodding treatment. If his goal was to inform, he has done so – thoroughly. If his goal was to avoid sensationalism, he may be said to have over-fulfilled the norm.

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[E844.Ebook] Download PDF POTS, PANS AND PIONEERS, by Telephone Pioneers Of America

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Recipes have been collected from employees and their families, both active and retired, of the Telephone Industry.

• Sales Rank: #589926 in Books
• Published on: 1977
• Binding: Paperback

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5 of 5 people found the following review helpful.
Falling apart but still going strong
By P. A. Broussard
I have owned this cookbook for almost 30 years. The pages are falling out and it has seen its better days, but of all the cookbooks I own this one is still the best!

4 of 4 people found the following review helpful.
Pots, Pans & Pioneers
By Chalmatian
Since I lost all of my books in Hurricane Katrina I have been trying to obtain certain cookbooks. This happens to be one of them. I am THRILLED that I found this particular book. It means SO MUCH to me!

I have nothing but POSITIVE reviews for Amazon.com. In fact, it is where I have been replacing items I lost and will contine to use in the future.

3 of 3 people found the following review helpful.
South Louisiana Staple
By Timoren
The Pots Pans and Pioneers series of cookbooks are a staple in any South Louisiana kitchen. These are the first cookbooks I ever used when my Mother was teaching me how to get around in the kitchen and they're still my go-to reference. They might be old and a bit out-of-date, but there is a wealth of knowledge contained in the pages. I've scribbled notes on nearly every recipe I've tried in order to modify it and make it my own. The Crawfish Etouffee with the golden mushroom soup is still my favorite. Just a little note, try poblano in place of bell pepper to "kick it up a notch"!

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The Sunday Times and New York Times Bestseller. Although Jodie is only eight years old, she is violent, aggressive, and has already been through numerous foster families. Her last hope is Cathy Glass…

Cathy, an experienced foster carer, is pressured into taking Jodie as a new placement. Jodie's challenging behaviour has seen off five carers in four months but Cathy decides to take her on to protect her from being placed in an institution.

Jodie arrives, and her first act is to soil herself, and then wipe it on her face, grinning wickedly. Jodie meets Cathy's teenage children, and greets them with a sharp kick to the shins. That night, Cathy finds Jodie covered in blood, having cut her own wrist, and smeared the blood over her face.

As Jodie begins to trust Cathy her behaviour improves. Over time, with childish honesty, she reveals details of her abuse at the hands of her parents and others. It becomes clear that Jodie's parents were involved in a sickening paedophile ring, with neighbours and Social Services not seeing what should have been obvious signs.

It’s clear that Josie needs psychiatric therapy, but instead Social Services take Jodie away from her, and place her in a residential unit. Although the paedophile ring is investigated and brought to justice, Jodie’s future is still up in the air. Cathy promises that she will stand by her no matter what – her love for the abandoned Jodie is unbreakable.

• Sales Rank: #29862 in Books
• Brand: Glass, Cathy
• Published on: 2007-08-06
• Released on: 2007-08-06
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.10" w x 5.00" l, .50 pounds
• Binding: Paperback
• 352 pages

Features

• Harper Element

Review

'Cannot fail to move those who read it.' Adoption-net

‘Heartbreaking.' The Mirror

‘A truly harrowing read that made me cry.’ The Sun

'A true tale of hope. ****.' OK!

‘Foster carers rarely get the praise they deserve, but Cathy Glass’s book should change all that.****’ First Magazine

‘A hugely touching and emotional true tale.’ Star Magazine

About the Author

Cathy has been a foster carer for over 25 years, during which time she has looked after more than 150 children, of all ages and backgrounds. She has three children of her own; one of whom was adopted after a long-term foster placement. The name Cathy Glass is a pseudonym.

Cathy has written 24 books, including bestselling memoirs Cut, Hidden and Mummy Told Me Not To Tell.

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0 of 0 people found the following review helpful.
Didn't know how to rate this
By Forensic Doc
I was not certain on how to rate this book. It is an easy read, meaning that it was not complicated. The author is from the UK and there are a few times I didn't know the names of some items but you do figure it out.
It was also a difficult read to know what a young child had endured and how her foster mom with her admirable, never-ending patience slowly unearthed the truth.
Despite this author writing several books of her experiences with foster children, I felt this book lacked some truth or omitting certain parts that might have helped the reader get a better grasp of the situation and not just of the child. It felt like much was missing as I closed the book, frustrated that she didn't fulfill that feeling of being satisfied and the feeling of wanting to be more in touch with the situation. She spoke of her children throughout the book but during the last few chapters only spoke of her one child. It would have been nice to include them since they were an important part of the story. It would also have been nice to know more about this "unlikable child," she went through hell both the child and the foster mom and her family but there was something lacking in the details compared to the other books.

4 of 4 people found the following review helpful.
Truly Heartbreaking
By Teacher Tina
I originally started Jodie's story with the free sample, but I had to know more. Cathy Glass drew me in to Jodie's life, and I wanted to know what had happened in this little girl's past to cause her to behave and act the way she did.

Needless to say, Jodie's experiences were far worse than anything I could have ever imagined. My heart broke as the pieces were revealed bit by bit, and my anger and disgust toward her abusers grew and grew. I know there are evil people in this world, but it is always difficult to accept that there are people that evil and depraved.

I had a little difficulty understanding some of the terms because I'm American and am not familiar with British life. However, that didn't affect my reading of this story nor distract me from the true focal point of Jodie's life.

I pray that Jodie is somehow leading a good, decent life. I pray she has some normalcy and can function in society. I pray that Jodie has learned to love and be loved

I recommend this book to anyone interested in the foster care system. Cathy Glass is not only an incredible role model and example, but also a truly exceptional woman to take foster children into her home and make a positive difference in their lives. Readers should be aware that Jodie's story is a difficult one to learn about and their hearts will break for an innocent little girl.

21 of 21 people found the following review helpful.
From Red Adept Reviews
By Lynn McNamee
Overall: 5 Stars

Plot/Storyline: 5 Stars

Cathy Glass does a brave thing in this book by telling the story of one of her "failures." By "failures," I mean that the child was not "repaired" to the point of being able to enter society by finding a permanent family. This was by no means a failure on Cathy's part, as she did everything that anyone, outside of a trained psychiatrist, could have done.

What amazed me about the story was Cathy's perserverance in keeping Jodie. Sure, a couple of times she admitted to wanting to "send her back." However, she never did so voluntarily, as I feel that many foster parents would have done. Ms. Glass was supremely honest in what she considered to be her shortcomings, but I considered to be her bravery and strength of spirit.

Jodie's story was a horrifying one that will leave the reader gasping and crying. Unfortunately, it was also a story of something that is too often an occurance in our society. Cathy does a terrific job of detailing Jodie's past with the knowledge that she gained from Jodie. She tells of her experiences in a succinct manner, shocking the reader without resorting to blatant tactics.

I think I was most horrified by Cathy's portrayal of the Social Worker's failings.

Character Development: 5 Stars

Cathy not only does an excellent job of allowing the reader to get to know Jodie; she also reveals much of herself in the telling. I felt as though I was getting to know her as well as her charge and her family.

The reader is also privy to the personalities of her children, which gives the story a more rounded effect. It particularly shows the major contrast between Jodie and "normal" children.

Writing Style: 5 Stars

As in her first novel that I read, Ms. Glass' writing style was excellent for the story. It was simply told, without a lot of fanfare. The descriptions were well done, and the dialogue was realistic.

Rating: R for Adult Themes and Child Sexual Abuse

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Palestinian Islamists are regularly in the headlines, mainly for their violent attempts to undermine the Palestinian-Israeli peace process. Who are these people, what motivates them and how did they become such a powerful force? Drawing on interviews with Palestinian and Jordanian Islamists, primary sources and historical records, this work provides some answers, and challenges prevailing theories of Islamic resurgence.

The book argues that the contemporary revival of Islamic politics in Palestine occurred much later than in other countries of the Middle East and explores the reason for this lag. It also traces Israel's initial encouragement of political Islam as a rival force to the PLO and its subsequent growth into a movement which now defies all Israeli attempts to crush it and presents a formidable challenge to the PLO's claim to determine the future of the Palestinian people.

• Sales Rank: #14616467 in Books
• Published on: 1996-07-15
• Original language: English
• Number of items: 1
• Dimensions: 8.74" h x 1.01" w x 5.72" l, .0 pounds
• Binding: Hardcover
• 272 pages

Review
“...this book is a fascinating and thorough account of Islamic politics in Palestine and a very useful tool in trying to understand today's events in the area.” —Islamic Studies

“Her work is admirably researched and provides a wealth of information on political Islam in Palestine.” —International Journal of Middle East Studies

About the Author
Beverly Milton-Edwards lectures in Middle Eastern politics at Queen's University, Belfast.

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In this classic work, Didier Anzieu presents a synthesis of his research and proposes a theory on the functions of "the skin-ego". Just as the skin is envelope to the body, Anzieu sees "the skin-ego" as a psychic envelope containing, defining and protecting the psyche. From this perspective, the structures and the function of the skin can provide psychoanalysts and psychotherapists with fertile analogies.

Anzieu's concept of the skin-ego is the answer to questions he regards as crucial to contemporary psychoanalysis: questions of topography which were left incomplete by Freud; the analysis of fantasies of the container as of the contained; issues of touch between mothers and babies; extending the concept of prohibitions within an Oedipal framework to those derived from a prohibition on touching; and questions pertaining to the representation of the body and to its psychoanalytic setting

This new translation of Le Moi-peau is based on the second and last (1995) edition.

• Sales Rank: #519487 in Books
• Published on: 2016-03-31
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, .0 pounds
• Binding: Paperback
• 352 pages

Review
'It is wonderful to see Didier Anzieu's The Skin-Ego reissued in English. The Skin-Ego is one of the most significant psychoanalytic texts of the last thirty years. It offers a radical revision of Freudian thinking, closely linked to major traditions in British psychoanalysis but also distinctively French in its philosophical and cultural reach. This sparkling and accessible new translation by Naomi Segal gives Anglophone readers an opportunity to appreciate the versatility of Anzieu's ideas on the skin and on psychical "wrapping", and to absorb his deeply scholarly, systematic and practical style. There is more to French psychoanalysis than Lacan - and this book is one of its most important contributions to the psychoanalytic literature.'- Stephen Frosh, Professor of Psychosocial Studies, Birkbeck, University of London'This new translation is brilliant, and makes the Skin-Ego theory very accessible; now that neuroscience and research on infants and parents have demonstrated how Anzieu was right in his ideas of an early influence on narcissistic disorders, this new translation will be very useful for young therapists who didn't have access to this kind of manual of psychoanalytic treatment of difficult patients. Naomi Segal, who knows so well Anzieu's developments on the origins of the capacity for thinking and its roots in early experiences, manages the task of the translator wonderfully, and captures the essence of this very original theory of containment and psychoanalytic technique.'- Christine Anzieu-Premmereur, MD, PhD, Assistant Clinical Professor in Psychiatry at Columbia University and Director of the Columbia Psychoanalytic Center's Parent-Infant Program

Language Notes
Text: English, French (translation)

About the Author
Didier Anzieu is Vice President of the Psychoanalytic Association of France and Emeritus Professor of Clinical Psychology at the University of Paris X-Nanterre. He is the author of several books published in English translation. These include Freud's Self Analysis, The Group and the Unconscious and The Skin Ego. He has also edited and contributed to Psychic Envelopes, a collection of papers which further develops the "Skin Ego" concept.

Naomi Segal is Professorial Fellow in French and German Studies at Birkbeck, University of London.

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14 of 18 people found the following review helpful.
Pioneering work
By A Customer
Extends Esther Bick's work on skin functions of the ego in suprising directions. Adds crucial understanding of pre-object aspects of emotional development. A masterwork. --Ivri Kumin, M.D.

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[C989.Ebook] Free Ebook Gil Elvgren & Friends: 36 Collectible Pin-up Cards, by Marianne Phillips

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• Sales Rank: #13272215 in Books
• Published on: 1997
• Binding: Cards
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